National Theatre Live: ‘Collaborators’ Review
Collaborators is a new play by John Hodge (screenwriter of Trainspotting and The Beach) currently on show at the Cottesloe Theatre in London until March 31st. As part of the National Theatre Live initiative to showcase the best of British theatre, Collaborators was broadcasted live to cinemas across the UK and around the…
‘The Heart of Robin Hood’ @ The Royal Shakespeare Theatre
Stratford-upon-Avon glimmers on post-Christmas evenings, and the latest offering from the Royal Shakespeare Company is adding to its lustre with ‘The Heart of Robin Hood’. Director, Gisli Orn Gardarsson and writer, David Farr gift us an explosion of beauty on a canvas of adapted Nottingham tradition. Led by…
New Theatre Uncut- ‘Disastrous Dates’ @ The Den
The New Theatre Uncut has continued to go from strength with its second production titled Disastrous Dates. Portraying a hilarious fly-on-the-wall perspective on the often overwhelming, humorous and down-right awkward nature of first-dates; this collection of scenes written and directed by Becky Roberts is exactly what was needed to…
Rosencrantz and Guildenstern Are Dead @ New Theatre
‘Eternity is a terrible thought. I mean, where’s it going to end?’ asks Rosencrantz anxiously during Tom Stoppard’s play of existential angst. Fittingly, at the end of the Autumn season at the New Theatre, the characters of Rosencrantz and Guildenstern, drawn and fleshed out from Shakespeare’s Hamlet,…
A Midsummer Night’s Dream @ New Theatre
New Theatre Uncut- ‘Tread Softly’ @ The Den
Kick-starting New Theatre’s Uncut Season was Tread Softly, an engaging collection of monologues performed with an improvisational twist. Despite what the title suggests, audience members were encouraged to jump knee deep into the action. Telling the tales of the people behind the art, either personifying the art itself…
‘Bed’ @ New Theatre
‘Macbeth’ @ The New Theatre
‘The Hothouse’ @ The New Theatre
Sex, slaughter, betrayal, and all the morbid in-betweens that surround them: The Hothouse cleverly allowed all that is wicked and threatening about authority, tradition, and order to blossom, creating a sweet sense of revolution that was easily accessible to the audience. Although the play was originally written in…






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