Considering Public Service Broadcasting‘s primary concept is recorded sounds and images, you can’t help but laugh at the irony of them being one of the best live bands to see at the moment. Public Service Broadcasting’s live performance is very much ‘a show’; somewhere between performance, art and…
“Gospel-delia” is the rather ham-fisted label which some commentators have pinned to Laura Mvula’s music. Her brand of slick, soulful R&B is heavily drenched in jazz and hand-clappy gospel beats, beautifully constructed layer by layer with simple, complimentary elements which slot together like the pieces of a puzzle.…
Paramore is the eponymous fourth studio album from Paramore and their first without the Farro brothers, after they left the band following third album, Brand New Eyes. This new album keeps their standard melodic guitar riffs and catchy choruses, which show off Hayley Williams’ voice, but is also a bit more…
In a recent track review for Drowned In Sound, Robert Leedham described “Ya Hey”, the third new cut from Modern Vampires of the City, as a ‘euphoric cocktail’ overflowing with ‘truly upsetting brilliance’ which touched that writer in a deeply personal way. Leedham’s experience with religious belief had…
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