Liam Inscoe-Jones

The Neon Demon is the tenth film directed by Danish director Nicolas Winding Refn; the third consecutively to debut at Cannes and the second to be met there with a chorus of boos. The film is a pristine gut-punch. It follows Jessie, played to career-making perfection by Elle Fanning,...

As a nation, Britain is in turmoil. A month of increasingly ugly campaigning in the lead up to the EU referendum culminated last Thursday with the murder of an innocent MP, whilst indisputably racist propoganda is being foisted like it’s 1968, and football hooligans are commerating a miserable Euros...

Liam Inscoe-Jones and Beth Rowland discuss the place of Holocaust dramas in modern society and cinema, and whether the lessons of history can still be borne through an entertainment form. Yes Son Of Saul is a 2015 Grand-Prix winning Holocaust drama from director László Nemes. It is one of most...

“Chancellor The Rapper, please say The Rapper” is back at it again with the dope mixtapes. Chance the Rapper is a Chicago native who has seen an exponential growth in fame and talent ever since dropping his 10 Day mixtape which he recorded whilst on a 10 day suspension from...

Some tribute acts I’ve seen in the past seem as if they’d rather be playing original music, but are laboriously playing covers for the financial benefit. While these may sound and look remarkably like the act, they often lack any character of their own. Cloudbusting are different: it’s clear...

Sleek, sardonic and intensely sarcastic: Josh Tillman (aka. Father John Misty) was one of the year’s most anticipated visitors to Rock City in Nottingham. But he’s also a man who divides opinion. Uniquely, it would be hard to imagine the talent of Tillman’s lyricism, vocal chops or showmanship being...

I didn’t really know who Kaytranada was up until this point, and had his album not dropped on what I’m now dubbing Four Album Friday (May 6th), I would not have taken the time to listen to it. Despite my lack of knowledge on this artist and my surprise...